Revista EDICIC, San José (Costa Rica), v.5, e-5125, p.1-13, 2025. ISSN: 2236-5753
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absurdity as key components of its biting sarcasm. Moreover, Family Guy is even more controversial
and irreverent than The Simpsons, consistently infusing black humour, racism, sexism, and ableism into
the actions and remarks of certain characters. Using Culpeper's model (1996), Puspitasari Mulyadi et
al. (2024) have measured its (high and intentional) degree of impoliteness. Looking at Lyotard,
Biderman & Davlis also observe that:
the series is (…) not a rip-off since it is a postmodern work of art that intentionally
tears down the distinctions between appearance and reality, original and copy, and
uses the world of television to push this dissolution. So, sit back, relax, and enjoy the
postmodern comedy Family Guy, knowing full well that you are not watching a
secondary, unoriginal, and uncreative animated sitcom. (Biderman & Devlin, 2007,
pp.157).
The satirical comedy, set in the fictional town of Quahog in Rhode Island, New England,
exposes various elements of American life and culture, often depicted through the lens of sarcasm.
Among these is also the library environment. The Quahog Public Library appears in about two dozen
episodes out of the more than 440 that have aired so far, averaging one appearance every season.
Overall, most of the appearances last only a handful of seconds, yet they are sufficient to reveal a
certain American perspective on libraries through the sharp humour of its characters.
The librarian of the Quahog Public Library, whose name is Joanna - except in the latest episode
(see chapter 4 “Wild West (19x07): The librarian starring in an episode”) where, probably for an ironic
inversion, is called Elle Hitler - is depicted with the stereotypical traits of the profession. The stereotype
of the female librarian in American popular culture is far from new and was already seen in movies and
tv series analysed, among others, by Fajte & Börjesson (2015), Mendes & de Souza (2019) and Yanes
(2002). Stereotypical librarian is commonly described as a “little old lady with the bun, the shawl, the
wire specs, and the pencils ticking out of her hair” (Manley 1984: 650) or similarly as an unmarried
spinster, bookish, sexually repressed, unattractive, and uptight shushing loud talkers (see Kneale,
2014).
But first of all, as stated, she’s a woman. This point is not a neutral or trivial one and has been
discussed in feminist studies as a cue for analysing male domination dynamics and power structures
laying behind (see Radford & Radford 1997; Fajte & Börjesson 2015). 4 out of 5 librarians in the movies
analysed by Yanes (2022) are female, and even if Fajte & Börjesson (2015) notice “an increased
representation of male librarians”, they admit that “the old stereotype seems to persist” (ivi: 2). On
the other side of things, according to Kneale (2014, 12) “if you’re a male librarian, no matter your age,
people assume you must be gay”.
Exactly as in the standard representations of spectators collected by Mendes & de Souza
(2019), Joanna wears glasses; she is a spinster, middle-aged, plump woman, dressed unattractively,
with her hair in a bun and wearing earrings typical of mature women. While her character also reflects
the collective imagination about librarians, she also has relevant traits worth noting. Joanna is
repeatedly described as “smart,” but she has a mediocre sense of humour (she makes terrible jokes,
has an awkward laugh and is easily entertained). Although she is aware of her lack of attractiveness to
men, she remains kind and always smiling. This last trait, in particular, is uncommon in stereotypical
representations which portray librarians as generally unapproachable, fussy and surly individuals (see
Radford & Radford, 1997).